Sunday, 12 November 2017

Call Me by Your Name (2017)




From the first time I saw this trailer, I was genuinely excited about this release. I feel there hasn’t been a decent looking feel good film for a while, and Call Me by Your Name seemed to be one with a refreshing story to get me even more excited.

Call Me by Your Name is a film set in 1983 about the Perlman family, who every year have doctoral student stay with them every year. This year, Oliver comes to stay with them and work with the Father of our main character, Elio – a seventeen-year-old boy. Over the time they spend together all summer, they discover a mutual passion which is seemingly something new for Elio.

First things first, this film is beautiful. It’s such a great film to look at, Guadagnino has certainly realised the ticket to this film’s success and taken full advantage of it. There is so much focus on the beauty of the Italian buildings, the relaxing family breakfasts, the views out in the countryside when Elio and Oliver are out on a bike ride, the lunchtime banquets in the garden, the massive group games of volleyball – you get the picture, it was summer, and it is what makes this a feel good film. There’s something about seeing these kinds of scenes on the big screen that taps into so many different emotions for me.

The score was beautiful, it was probably one of my favourite aspects because it tied in so perfectly with the different things the characters were going through, and the events that you were watching. It really connected all the events on screen together. The only way I can describe this feeling, is by saying that it felt like I was part of the experience with Elio. It perfectly helped the transition between scenes, and I do not think this is a feature that was overused.


There really was attention to detail in this film, and the script in part was surprising. It was filled with comedy, sadness and drama. Conversely, there are a great deal of silences – some of these filled with the great pieces of music, but some that are just truly chilling. For this to work an excellent cast is needed, and that is definitely what this film has. Excluding Hammer, I was clueless about the rest of the cast, but went home desperate to find out what else I might see Chamalet in.


This is definitely a must see film. Not in the sense of – ‘I couldn’t keep my eyes off the screen, so much is happening’, but the opposite. It’s easy, it’s pleasant, it’s an extremely emotional story that will make you feel all kinds of things. I will be seeing this again, and encourage others to do so too.

7/10.

CINEMATES - S

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