Peter Rabbit (2018)

Peter Rabbit and his 3 sisters, and his friend are all enjoying their days in the forest. They spend a chunk of their time figuring out how to break into Mr McGregor’s vegetable garden for food. This was something that once belonged to them, when previous owners kept the fence down. 

Something happens to Mr McGregor, and one of his relatives move into their new property. Thomas McGregor is Mr McGregor’s Great Nephew, who hates rabbits just the same. He is ready to win over Bea, however, who is the opposite of him. A local, country girl, who lives to make the wildlife feel welcome.

I’m ready for this review to be short, because there is only so much to say about a film with mostly animated characters.

Let’s get the obvious out of the way… Domnhall Gleeson is an absolute dish. What an attractive man… oh, and I enjoy watching him act. The pairing of him and Rose Byrne was great. In a kids film you need a villain and a hero, right? These two played in perfectly, and there was still opportunity for there to be a message chucked in there. It was made obvious that Thomas was the bad character, and sometimes you meet someone nice that can change that. 

In terms of those casted to voice other characters, none of them offended me… except for James Corden. Don’t get me wrong, I now don’t think it was a bad match, but there were some moments when I just in the cinema thinking ‘Smithy, Smithy, Smithy… When is he going to say Gavaaaalaaaaaaaar?’. If this film wasn’t absolutely stuffed with comedy, it might not have been so bad, but the way the script was written really highlighted the humour that is portrayed perfectly by James Corden.

On the same note, this was belly laugh funny. Like, the kind that makes you turn around to the mental woman sat alone at the back, crying at everything (me). The comedy was so clever in some parts, and this is the definition of suitable for the whole family. An adult can sit in the cinema with their child, and not just have to tolerate it. There is a lot of subtle humour that would go straight over a child’s head, but is also filled with enough silliness, that it suits the audience it is aimed at.

Do we need to talk about CGI rabbits, and real humans working perfectly together, and being visually satisfying? It’s 2018, I feel like this should be expected, but it looked brilliantly edited, regardless. There was definite attention to detail paid at this point.

I was excited about this because I bloody love Peter Rabbit, just the same as I love Winnie the Pooh, it was a character that let me escape, and use my imagination as a child. I was scared that giving these characters recognisable voices was going to ruin it for me, and others that feel the same about Peter Rabbit, but it didn’t.

The script was well written, and well executed, the editing was pretty much spot on, and I had a blast. I laughed, my heart felt warm and fuzzy, and even when it got tense, I felt myself genuinely being bothered by what was happening.

Another must watch ‘kids’ film for 2018.

6.5/10

CINEMATES – S

Goodbye Christopher Robin (2017)

Goodbye Christopher Robin is the story of English writer A.A. Milne and his life post WW1, and how he stumbled upon the idea of his later success which was of course – Winnie the Pooh. There isn’t anything else to this story…

THAT ISN’T A FAULT THOUGH!

The film begins and we jump straight in to Milne’s life right after he comes back from the war and meet his wife, and begin to gain insight into the private life of him and his wife, and how his time away affected them both, and off we go on their journey. They move out of London, as the hustle and bustle is badly affecting Milne mentally, and productively, meaning he is unable to write. His wife falls pregnant and we then meet the inspiration behind his most famous work – their son, Christopher Robin.

The issue I have with films of this nature as always, is how true are some of these events, and how much are they exaggerated for dramatic effect? We won’t know, no one experienced this other than the characters that are being portrayed. So, I suppose the most important thing for this film is, how good were the cast? Could I connect with these characters? OH, GOD YES. 

I cannot fault the cast, I really believed there was a difficult father/son relationship there between Milne and his son, and I really felt for them both in many scenes. I could relate to the idea that a childhood had been stolen, and a Father didn’t understand or appreciate this at the time, and that a child couldn’t explain this when it was happening to them. Domhnall Gleeson was the absolute star of the show, without a doubt. His performance was incredible. I believed his struggle with quite obvious PTSD, I believed he struggled to look after a child, when he was suddenly asked to do this, I believed that the success he had brought him both joy, and sadness. It was a convincing performance and it did the ‘character’ justice, in simple terms. The performance of Margot Robbie in this, though also convincing and enjoyable, somewhat average. 

It was a truly enchanting story, it made me laugh, cry and generally entertained me. It made me realise why I enjoyed Winnie the Pooh so much as a child, yet also made me remember why I didn’t so much as I got older. It was heart-warming, and beautifully made. I just hope that it was somewhat a true representation of these non-fictional characters.

Daphne (Robbie) appeared to be was sickening, she infuriated me, which is good, if that is what you are trying to be, right? But something about it I didn’t enjoy. I feel like the intention was for her to be more powerful and more controlling, and I feel like Olive, Christopher Robin’s Nanny was more powerful. It’s like she was almost there… and then though nah that’ll do I’ll calm down. She was portrayed as a very selfish character, but there was nothing to explain this. Nothing that Milne did seemed to spur these actions on, so in a way it’s like her character should have made much more sense. Now, Will Tilston. Let’s talk about little Will. What a gem, I love it when a child is better at acting than an adult, and all I can really say is not only was he cute as a button, but he made me cry, and this kid is going to go far. There’s not much to say other than he was perfectly casted, I was really impressed by him.

The score in this film was as to be expected, it fitted beautifully, and if memory serves me correctly we obviously had original music made for Winnie the Pooh. The location helped a great deal with making this film look good, but I honestly don’t think that this would have made a difference to the story. I mean it made sense, it was nice to look at but there is nothing much more to say about that.

7/10 

CINEMATES - S