Showing posts with label pharrell williams. Show all posts
Showing posts with label pharrell williams. Show all posts

Sunday, 9 July 2017

Despicable Me 3 (2017)




The first Despicable Me came out in 2010, since then we have had an onslaught of minion merchandise. I for one don't care for them, didn't think they were particularly funny and I don't understand why people who don't understand memes have adopted them, but there we are. Despicable Me 3 follows Gru, ex villain, as he connects with his long lost twin brother Dru who wants to have one last family heist. 

Alongside that narrative we have the super villain Balthazar Bratt, who was a child star in the 80's and kind of a one hit wonder. He goes downhill after his voice breaks and ends up believing he's the character he played. He was a lot of fun, voiced by Southpark's Trey Parker, he was stuck in the 80's meaning he played a lot of 80's music and all of his tool and weapons were throwbacks to the decade. A bit of a novelty, I think a lot of parents will enjoy this throwback but the use of a portable cassette tape will be lost on the aimed demographic. 

So what do the target demographic like? Minions. They were there. They have a falling out with Gru and try it on their own and end up in prison. It was interesting I guess to see them make their own decisions or just see them in different environment.  But eh, same old same old, all I can ever think about is how they will be sold. Now there can be a bunch of minions in prison uniforms. And in the last scene wearing something different. I think they've been exhausted, unfunny but there, no real merit to the story but what you expect from them.


Steve Carell is great, some of the scenes it really felt like he was having so much fun playing both Gru and Dru. He's a likable guy and that comes across with both characters. The brothers grow together despite some differences they still have a lot in common. The few scenes that actually warranted a chuckle were basically Carell talking to himself. Each of the characters get their own side line stories to follow the main theme of the film, there's sweet development for Lucy, Gru's wife, as she learns to fill the mother position for the girls, Margo, Edith and Agnes. Agnes goes on search to find a real life unicorn with Edith as Margo ends up in a pickle with a local boy. Each sideline felt a little forced as just something for them to do whilst Gru pasted the time but they did manage to tie them both together with the overall message alright. 




The animation was spectacular, as should be expected with Dreamworks at this stage. The parts I found particularly engaging were the adverts for Bratts show, the animated characters using toy action figures that looked real. That was really impressive. And to be honest a little confusing to see something look so real with such exaggerated animated characters. No spoilers but there's a particular scene in the final act on a beach with Bratt's final show stopper and seeing that looked pretty amazing. The sound was great but Pharrell Williams is involved so what else is there to say. They used the theme 'Despicable Me' as well as a song from the original film. Lots of 80's tracks which were fun and worked well.

Pretty forgettable to be honest, but I say that as someone that find the first two the same. The kids in the screening didn't sound that impressed either, very few laughs. 5/10

CINEMATES - A

Thursday, 16 February 2017

Hidden Figures (2017)



So we've recently signed up to be a part of Show Film First, a website which offers free cinema tickets to previews of upcoming shows. We're often going to midnight releases so we thought why not get some previews in before those too. As luck had it one of the first opportunities we had was to see one of the nine Best Picture nominations Hidden Figures.
The story of three African American women facing diversity as mathematicians in the early years of NASA. It sounds like something that's meant to be a film doesn't it? Like many I wonder why I hadn't heard of these women and their story before. I remember once reading online that there was a woman that worked at NASA that was so smart that when they first started using computers they had her double check the calculations. As one the the astronauts in the film says, 'it's hard to trust the workings of something you can't look in the eye.' Yet after hearing of this potentially fictional woman I was never told that she was African American. Being black in America is a tiring as it is, let alone in the 60's. Then on top of that, being a woman in a male dominated environment? Frankly it sounds exhausting. The film accents prejudice with a somewhat calculated restraint. Everyone watching the film is aware of the history, we're all aware of stereotypes and assumptions of the time. The audience is smart enough to know that it doesn't need to show brutal or explicit offence to get the message across that racism is bad. Yes racism is bad, but worse, racism at the time was the norm. The repeated incidents of disrespect and subtle degradation become standard. I found this a great way to wear the audience down. As when the straw finally broke the camel's back you got it. The emotionally charged scenes and outbursts felt justified. It felt like we all got there together. You understood and agreed with all three women. The racial tension is a strong backbone for the film and is not missed but it is not the whole story. The story is about the women.

My favourite character, and I find it odd saying character when it's a real life woman, but my favourite character is played by Taraji P Henson. Katherine G. Johnson is the woman in question that was the 'computer', an intelligent mathematician that joins the team responsible for America's first manned space flight Project Mercury. It is debatable that she has the most development over the course of the film, across all bets. Her career, her family life and her self confidence all improve. Granted at times it felt her love life appeared to advance a little quick and easy. But hey, the real Mr and Mrs Johnson have been married over 50 years so what do I know. With three powerful ladies it's hard to give all three equal character backstories. Which is why I couldn't tell you much about Octavia Spencer's character outside of work. Though Spencer's portrayal of Dorothy Vaughan earned her a best supporting actress Oscar nomination, because of course it did. To be honest there's not much to say about Spencer, if you've seen her in anything then you know what she's like. Her gives characters natural nuances that make you believe they existed before we meet them. Her performance in The Help (2011) was the same. Also she was arguably just as great in a few episodes of Ugly Betty if any of you remember that. She gives Mrs Vaughan a believably permanence. The film would not have the right weight without her.

The whole cast is stellar, it's been nominated for Best Film for a reason. Janelle Monae has done well starring in this as well as another Best Picture contender, Moonlight.  Her character in Hidden Figures, Mary Jackson, embodies progress. She became NASA's first black female engineer. Can you imagine having something you've done be recorded as the first time it's ever happened. Being the first. That's the message she gives, and it resonates. We also get a glimpse into family life with her husband and children, though briefly and granted somewhat unnecessary to the narrative, it does round out how the world is at the time outside of NASA. Now, Monae is a pleasure to watch (partly because of her crazy good skin, what is her regime!?) but because she'd proved that on top of to her own music career and record label she can act (in addition to performing on the soundtrack).
The soundtrack as you might have assumed is great, everything Pharrell Williams touches kinda turns to gold. Yes, some of his songs are overplayed, but that's partly due to their popularity, and you can't always argue with that. The man knows what he's doing, he produced the film, the soundtrack, and was involved with the score... And performed as well... And slayed.


All aspects of sound were made for this film. Really made for it. It all comes together completely as an equal part, everything fits. The music even goes with the cinematography, which was good though I think benefited from the period that it's in. The whole 60's look, the hair, the make up, the home, they all have this warmth to them that contrast the cold greys and blues of the NASA buildings. Clearly no mistake, but that definitely gave Mandy Walker, the director of photography, a lot to work with, and she did well. It definitely did not feel like a film that was over two hours, it handled itself well, and the pacing of the film is great, even though it began to slow towards the final scenes. However, this partly is due to there being no real climax to the film, just some good resolutions. It's a satisfying ending and gives some information and insight to the lives of the women after the story of the film. And I am a sucker for a freeze frame and 'this is where they are now'. So that was an extra point for me.
A happy 7/10. Great cast great story, and space is cool. Would not buy it on Blu ray but would recommend the soundtrack.

CINEMATES - A